Download Free Zz Top Just Got Paid Tab Pdf Merge
Initial eight harmonics on C, namely (C,C,G,C,E,G,B ♭,C) Major open-tunings give a with the open strings. Open A E-A-C ♯-E-A-E. Alternatively: E-A-C ♯-E-A-C ♯. Alternatively: A-E-A-E-A-C ♯ (one step down from 'Open B').
Open A: E-A-E-A-C ♯-E (identical to 'Open G' tuning but with every string raised one step or two frets) Used by on ' and on ' Open B B-F ♯-B-F ♯-B-D ♯. Alternatively: F ♯-B-D ♯-F ♯-B-D ♯ Used by on 'Should've Listened', in recent years, and on '. Open C This open C tuning is used by for his 'Townsend Shuffle' and by for to.
Print and download ZZ Top Just Got Paid Guitar Recorded Versions (with TAB). Includes Guitar Recorded Versions (with TAB) for Voice or Guitar 1 or Guitar 2 in E Major.
This tuning is also commonly used by John Butler on his 12 string guitar. The used a open-C tuning that approximated a.
This open-C tuning gives the initial when a C-string is struck. The C-C-G-C-E-G tuning uses the (overtones) of the note C. When an open-note C-string is struck, its begins with the notes (C,C,G,C,E,G,B♭,C). This overtone-series tuning was modified by, who used a high C rather than the high G for ' on. Ralphs said, 'It needs the open C to have that ring,' and 'it never really sounds right in standard tuning'. Open D tuning (listen) D-A-D-F ♯-A-D Open-D tuning is used by for her ', for 'Place To Be', for 'Interlude 2', and by for 'No More Home, No More Love'.
Open-D tuning has been called Vestapol tuning. Alternatively: D-A-D'-A'-D -D This alternative Open D tuning (and its downtuned variations) is frequently used by guitarist for the bands, and Tremonti. It was also used by on ' and the in '. C ♯-G ♯-C ♯-F-G ♯-C ♯ Same as Open-D but tuned a half-step down. Used by on the songs ', ', and 'Shame in You'. Open E E-B-E-G ♯-B-E ( use light gauge strings because three strings must be raised) Open E is used by: on ', '; on ', ', ', ', ', ' and by Bob Dylan on his 1975 album.
And by on their first and second albums. Open F F-A-C-F-C-F (requires light gauge strings). Alternatively (without light gauge strings): C-F-C-F-A-C C-F-C-F-A-C is the more common of the two. Used by Elizabeth Cotten on her song 'When I Get Home' Led Zeppelin on 'When the Levee Breaks' and 'Bron-Yr-Aur Stomp' (studio). F-Sharp Tuning: F ♯-A ♯-C ♯-F ♯-C ♯-F ♯. Alternative: C ♯-F ♯-C ♯-F ♯-A ♯-C ♯ F-F-C-F-A-C is also used by Dave Mason on 'Only You Know and I Know' Open G. The Russian guitar's tuning approximates a major-thirds tuning.
D-G-D-G-B-D (also known as Spanish Tuning or Chicago Tuning) Open G was used in rock by of in the songs ', ' and ', of as well as in Mississippi blues by, and, and in '. G-G-D-G-B-D Listing the initial six of the G note, this open-G tuning was used by for 'Electricity', 'For the Roses', and 'Hunter (The Good Samaritan)'. It was also used by for 'Hey Hey' on 's.
And on the Meowtain song 'Alleyway' also used this tuning in the song. Alternatively: G-B-D-G-B-D ( ). Alternatively: C-G-D-G-B-D (used by on multiple songs, most notably 'Inhale' and 'Mistake'. They downtune it a half step).
Open G: G-B-D-G-B-D (occasionally adopted for ordinary guitar, but requires lighter fifth and sixth strings). Russian-guitar Open G: The tuning of the D-G-B-D-G-B-D is an open G tuning, approximately in. Minor: Cross-note The following open-tunings use a minor third, and give a with open strings.
To avoid the relatively cumbersome designation 'open D minor', 'open C minor', such tunings are sometimes called 'cross-note tunings'. The term also expresses the fact that, compared to Major chord open tunings, by fretting the lowered string at the first fret, it is possible to produce a major chord very easily. Cross-note or open E-minor was used by and. Cross-note tunings include (low to high):. Cross-note A: E-A-E-A-C-E. Alternative: E-A-C-E-A-E. Cross-note C: C-G-C-G-C-E ♭.
C-C-G-C-E ♭-G, a cross-note. C-C-G-C-E ♭-A ♭ a cross-note that facilitates. Cross-note D: D-A-D-F-A-D (used by on the song 'Red Pony'). Alternative: D-A-D-A-D-F (used by on 'Barbara's Song').
Cross-note E: E-B-E-G-B-E (used by on the song 'Just Got Paid Today' and by on the song 'Bramfatura'). Cross-note F: F-A ♭-C-F-C-F (extremely rare). Alternative: F-C-F-A ♭-C-F (used by; requires light gauges).
Cross-note G: D-G-D-G-B ♭-D. D modal tuning. In modal tunings, the strings are tuned to form a chord which is not definitively minor or major. These tunings may facilitate very easy chords and unique sounds when the open strings are used as drones. Often these tunings form a on the open strings. A well known user of modal tunings is.
See also: Major-thirds tuning is a regular tuning in which the between successive strings are each. Unlike all-fourths and all-fifths tuning, major-thirds tuning repeats its octave after three strings, which again simplifies the learning of chords and improvisation. Neighboring the standard tuning is the major-thirds tuning that has the open strings E-G ♯-c-e-g ♯-c'. A lower major-thirds tuning has the open strings C-E-G ♯-c-e-g ♯, which 'contains two octaves of a C augmented chord'. All fourths. Drop D tuning (listen) - D-A-D-G-B-E Standard tuning but with the 6th string dropped one full step.
Utilized by bands and/or artists:, on Moby Dick, on the song High Ball Stepper, on songs ' and 'Just a Bullet Away', in some songs, in all their albums (except which is Drop B in standard variation Tuning and Parabol/Parabola which has E dropped to B and A dropped to E), on their song Breathe, as well as numerous songs on older albums in some songs, in some songs, on some songs from, (on the song 'Knives and Pens'), in some songs, in some of his projects, and on ', on 'If Eternity Should Fail', of on from the album, on the biggest part of their discography. Drop C ♯/Drop D ♭ - C ♯-G ♯-C ♯-F ♯-A ♯-D ♯ / D ♭-A ♭-D ♭-G ♭-B ♭-E ♭ One half step down from Drop D.
Utilized by bands like, on some songs (like ' or '), (on the song '), (on ), (on their album), (on songs like '17 Girls in a Row' or 'Gloryhole'), on, on, live performances, album and. Also used by Lamb of God somewhat on their albums and VII: Sturm und Drang, and almost exclusively on their album. Used this tuning on songs ', ', ', 'Requiem' and 'Coming Home'. Use this tuning on their song 'Minus Human' off Drop C tuning (listen), on from their album and live performances of songs recorded in Drop D, on their first album (Stand Up And Scream), have used this tuning on a few songs. Used this tuning on their albums and.
On their 1981 song '. Use guitars tuned to this tuning with the top three strings removed, although on, regularly strung guitars were used. Use this tuning on some songs (like 'Heartland' and 'Aftershock'). Drop C tuning (listen) - C-G-C-F-A-D One full step down from Drop D. Utilized by bands like, in all their albums, in the Heliocentric / Anthropocentric albums, (Only on ), in 'Radiant Eclipse', on, (on some songs), (since the era), (since ), (in their album ), (mostly on & ), 's album, (except for the songs 'Invisible Kid', which has one guitar in Drop G#, 'Dirty Window', which is in Drop C#, and 'The Unnamed Feeling', which has one guitar tuned to Drop A#/Bb), (on some songs), (when using 6 string guitar) along with some alternate tunings, (on their demo ), and, on their Bleach album, on the songs Anesthetize and Cheating the Polygraph.
B-F ♯-B-E-G ♯-C ♯ / B-G ♭-B-E-A ♭-D ♭ One and one half steps down from Drop D. This tuning is most often used by modern rock and heavy metal bands. Utilized by bands like, (on Cast Down, Seven Faces and Payback from, as well as few songs on, and ), (tuned 40 cents sharp), on their third and fourth albums, and respectively, (on 'Faceless'), (on much of ), (up until ), (on a few songs from ), (on much of and, and the songs 'Coming Home' and 'Home' from and, respectively), on the song ', Disturbed on and occasionally, and. Drop A ♯/Drop B ♭ - A ♯-F-A ♯-D ♯-G-C / B ♭-F-B ♭-E ♭-G-C Two full steps down from Drop D. Utilized by bands such as (on Mr Highway's Thinking About The End, Welcome To The Family, Violence (Enough is Enough), Life Lessons Learned the Hard Way and Sticks and Bricks), Hostility, (since ), (since ), Remembering Never, and occasionally, and. A-E-A-D-F ♯-B / A-E-A-D-G ♭-B Two and one half steps down from Drop D.
This tuning is most often used by or musicians, such as or (both use and tune down the seventh string a full step). Utilized by bands like, (on the songs 'Columind' and 'The Missing' from and 'Drug Boy' and 'The Trouble with Angels' from ), (on ) and occasionally, and. Uses this tuning on their songs 'Hollow Man' and 'Waiting'.
Drop A in standard variation - A-A-D-G-B-E: The 6th string is dropped to A while the other strings retain their standard tuning. Used by on 'Biscuits for Smut', on ', on the song 'Sorceress', and the on 'Boris'. A 7-string version of this tuning is used by on their song 'Citizen Erased, tuned A-A-D-D-G-B-E. Drop A in D standard variation - A-G-C-F-A-D: Used by Mastodon on most of their first album ( Remission) and on some songs on other albums. Also utilized by on the song 'Zyglrox' as well as 'Alpha' and 'The Bad Thing.' Also used on occasion by, who previously tuned it a half-step up, which also utilizes on some of their songs such as ', 'Come to Life', 'I Know it Hurts', 'Still Remains', 'Breath Again', and 'All Hope is Gone.' , and Sevendust all use this tuning tuned a half-step down on their songs 'Bread of Shame', 'Early Grave', and 'Home' and 'Chop' respectively, with the latter also tuning down a full step for the songs 'Death Dance' and 'Not Today'.
Danish industrial metal band used this tuning tuned one and a half-step down (F#-E-A-D F# B) on the song 'Dim the Lights and Run' from the album. Drop G ♯/Drop A ♭ - G ♯-D ♯-G ♯-C ♯-F-A ♯ / A ♭-E ♭-A ♭-D ♭-F-B ♭ Three full steps down from Drop D.
Utilized by (on some songs), in the song 'Invisible Kid' from, (G sharp or G#) on their upcoming, and. Also uses this tuning (but with the 2nd string tuned up 1/2 step to emulate a 7-string guitar), as well as several other modified variations of this, such as one in which the 5th string is also dropped from D# to C#. Drop G - G-D-G-C-E-A Three and one half steps down from Drop D. Used by on the song 'Wasteland', (on their first two EPs), (on some songs), (on some songs) and (on the song 'Transparent' from ). Chelsea Grin also used this tuning on their album Ashes to Ashes. Also and recorded Sandblasted Skin in G-G-C-F-A-D, Drop G variation with D standard.
Drop F ♯/Drop G ♭ - F ♯-C ♯-F ♯-B-D ♯-G ♯ / G ♭-D ♭-G ♭-B-E ♭-A ♭ Four full steps down from Drop D, or two full steps up from Drop D1. Used by Disfiguring the Goddess. In the recording of 's song 'Nookie', used a custom 4 string baritone guitar tuned F#-F#-B-E. Also recorded their song 'Scissors' from their debut album in F#-F#-B-E-G#-C#.
Drop F - F-C-F-A ♯-D-G / F-C-F-B ♭-D-G Four and one half steps down from Drop D, or one and a half steps up from Drop D1. Used by on 'The Wretched' off 'This Means War' and. Drop E - E-B-E-A-C ♯-F ♯ / E-B-E-A-D ♭-G ♭/ Five full steps down from Drop D, or one full step up from Drop D1. Another Variation can be mixed with a Drop A as follows: E-A-E-A-D-G-B-E modeled on an 8 string or E-A-E-A-D-F#-B/E-A-E-A-D-Gb-Cb on a 7 string. Drop D ♯/Drop E ♭ - D ♯-A ♯-D ♯-G ♯-C-F / E ♭-B ♭-E ♭-A ♭-C-F Five and one half steps down from Drop D, or one half step up from Drop D1. This can also be a Drop D# standard octave variant tuning modeled on an 8 string D#-G#-D#-G#-C#-F#-A#-D#. Drop D1 - D-A-D-G-B-E Six full steps (one octave) down from Drop D.
8 string example; D-A-D-A-D-G-B-E. Black Tongue uses this tuning. Drop C ♯1/Drop D ♭1 Six full steps (one octave) down from Drop C ♯/Drop D ♭.
Used on some After The Burial songs. Drop C1 Six full steps (one octave) down from Drop C. Used by on the album with the variation C-F-C-F-A#-D-G. Drop C ♯/Drop D ♭ in standard variation - C ♯-A-D-G-B-E Standard tuning but with the 6th string lowered one and a half steps. Used by tuned one and one half-step down on some songs from ' through ', though their version of the tuning also features the A string dropped another half-step. Therefore, A#FBEG#C#.
Drop C in standard variation - C-A-D-G-B-E Standard tuning but with the 6th string lowered two whole steps. Used by on the song 'My Champion' (tuned down a half-step) as well as on the song 'Mountain' (tuned down one and a half steps).
Also used by on the song “Neon”, and by of on some songs such as ' and 'Hearts/Wires', tuned down a full step. Drop B in standard variation - B-A-D-G-B-E Claimed to have been invented by guitarist Victor Griffin of (who tunes it 1/2 step down). Also used in the song ' by, ' 'Holy Water', and 'Searching With My Good Eye Closed' by on their album, 'Cowboy Hat' and some of ' by, 'Gasoline', 'Shadow on the Sun', 'Bring Em Back Alive' and 'The Worm' by and '. Have used it on every album since, use it on most of their album, and used this on on much of their early material, often to emulate a 7-string guitar. Used also by in the songs 'One Way Mule' and 'The Lever' from their album '. Drop B-E - B-E-D-G-B-E Standard tuning with the 6th and 5th string lowered two and a half steps down.
Used by in the song '. Shifted These tunings are derived by systematic increases or decreases to standard tuning. Derived from standard EADGBE, all the strings are tuned lower by the same interval, thus providing the same chord positions transposed to a lower key. Lower tunings are popular among rock and heavy metal bands. The reason for tuning down below standard pitch is usually either to accommodate a singer's vocal range or to get a deeper/heavier sound. D ♯/ - D ♯-G ♯-C ♯-F ♯-A ♯-D ♯ / E ♭-A ♭-D ♭-G ♭-B ♭-E ♭ Half a step down from standard tuning. Used by bands/artists such as:, (Chris Barnes era), (on the 'Load', 'Reload' and 'Garage Inc.'
Albums, 'The God That Failed' and in live performances of standard tuned songs since 1995), (some songs and in live performances of standard tuned songs since 2008), on 'Not Alone', (on 'I Can Feel It'), (since ') (on 'A Little More'), and,. D-G-C-F-A-D One full step down from standard tuning. Used by bands/artists such as, on their, and.
Used in a vast majority of songs by musician. Also used in 's songs ', ' and ', by in their songs ', 'Devil's Dance', their cover of 'Whiskey in the Jar', some of their covers on ('The Small Hours' and 'Crash Course in Brain Surgery') and in live performances of 'The God That Failed' and 'Seek and Destroy'; by in several songs on, by in ', in live performances and. C ♯/ - C ♯-F ♯-B-E-G ♯-C ♯ / D ♭-G ♭-B-E-A ♭-D ♭ One and a half steps down.
Famously used by 's Tony Iommi in the 1970s, as well as, of, of, (tuned 40 cents sharp), of (on ), of and, of, (on Gemini from, the majority of as well as 'Cult' and 'Black Serenade' from ), and, as well as former guitarist 's other band on the song '. Also used by on songs 'Isolation' and 'Space Cadet'. Used by on the song ' from the album, by in 'Obvious'. Also used on and by Canadian technical death metal band. C-F-B ♭-E ♭-G-C / C-F-A ♯-D ♯-G-C Two full steps down from normal tuning.
Used by bands such as, (until ), on, (since the era), and. B-E-A-D-G ♭-B / B-E-A-D-F ♯-B Two and a half steps down from standard tuning. Used in by bands such as, and (during the era), as well as, and guitarist of and. A ♯/ - A ♯-D ♯-G ♯-C ♯-F-A ♯ / B ♭-E ♭-A ♭-D ♭-F-B ♭ Three full steps from standard tuning.
Used by, on and, Father Befouled, Sepultura, of (on War Zone and Here Comes the Pain from and Not Of This God from. Kerry King used a 7-string for those songs), ( started using the tuning during the recording of the Helium Head EP to fill in the low end of the sound, in an attempt to make up for their lack of a bassist at the time), and (when band switched to 7 strings). A tuning - A-D-G-C-E-A Three and a half steps down from standard tuning.
Used by, (on album),. Also used on the song 'These Walls'.
G ♯/A ♭ tuning - G ♯-C ♯-F ♯-B-D ♯-G ♯ / A ♭-D ♭-G ♭-B-E ♭-A ♭ Four full steps down from standard tuning. Utilized by on some songs.
Used by death/doom metal band Encoffination. G tuning - G-C-F-A ♯-D-G / G-C-F-B ♭-D-G Four and a half steps down from standard tuning. Used by the Doom Metal band and the Brutal Death Metal band. F ♯/G ♭ tuning - F ♯-B-E-A-C ♯-F ♯ / G ♭-B-E-A-D ♭-G ♭ Five full steps from standard tuning. Used by the Death Metal band Disfiguring The Goddess. F tuning - F-A ♯-D ♯-G ♯-C-F / F-B ♭-E ♭-A ♭-C-F Five and one half steps down from standard tuning.
Used by the deathgrind band, the instrumental doom metal band, and the progressive metal band ' (however the band uses eight-stringed guitars). Octave Tuning - E-A-D-G-B-E Six full steps (one octave) down from standard tuning. The Low E has the same fundamental frequency as a bass guitar, essentially the same standard tuning as a bass guitar but with a high B and E added to mimic a regular guitar. This tuning is used on the and similar instruments.
Notably used by with, of and of. In his early days with, future bassist was also seen with a Fender Bass VI. This is the tuning used on their seminal drone doom album,. Also used in some and bands such as. From standard EADGBE, all the strings are tuned up by the same interval.
String tension will be higher. Typically requires thinner gauge strings, particularly the first string which could be as thin as six thousandths of an inch (about the thickness of a single human hair). A is typically preferred over these tunings, as they do not increase neck strain, etc. The advantage of these tunings is that they allow an extended upper note range versus a capo used with standard tuning which limits the number of notes that can be played; in some cases, instruo B ♭ or E ♭ (such as, which were frequently encountered in early rock and roll music) are more easily played when the accompanying guitar plays chords in the higher tuning.
If standard gauge strings are used, the result is often a 'brighter' or 'tighter' sound; this was a common practice for some bluegrass bands in the 1950s, notably Flatt & Scruggs. F tuning - F-A ♯-D ♯-G ♯-C-F / F-B ♭-E ♭-A ♭-C-F Half a step up from standard tuning.
Used in most of 's music, for Love Buzz on Nirvana's Bleach album - apparently by mistake (according to Come As You Are - Michael Azerrad), on (a capo was probably used), 's (The low E string was tuned to Eb/D# for a drop Eb/D# tuning), on their song ', on his first 3 albums, John Fedowitz in his solo project 'Ceremony'. F ♯/G ♭ tuning - F ♯-B-E-A-C ♯-F ♯ / G ♭-B-E-A-D ♭-G ♭ One full step up from standard. Primary tuning for the band. Also used this tuning extensively with; bassist remained in standard, however, even when Marr was playing in F#. G tuning also known as (sometimes spelled 'Tierce', 'Third', or 'Tertz', all of which are acceptable) - G-C-F-A ♯-D-G / G-C-F-B ♭-D-G One and one half steps up from standard.
G ♯/A ♭ tuning - G ♯-C ♯-F ♯-B-D ♯-G ♯ / A ♭-D ♭-G ♭-B-E ♭-A ♭ Two full steps up from standard. A tuning - A-D-G-C-E-A Two and one half steps up from standard. This is the standard tuning for the travel guitar. A ♯/B ♭ - A ♯-D ♯-G ♯-C ♯-F-A ♯ / B ♭-E ♭-A ♭-D ♭-F-B ♭ Three full steps up from standard. Double-dropped. Double drop D tuning (listen) Similar to the dropped tunings, except that both the 1st and 6th strings are dropped one full step.
Double Drop D - D-A-D-G-B-D Standard tuning but with the 1st and 6th strings dropped one full step. Favored by Neil Young. Has also been used by Lamb of God on some of their earlier songs. Double Drop C ♯/Drop D ♭ - C ♯-G ♯-C ♯-F ♯-A ♯-C ♯ / D ♭-A ♭-D ♭-G ♭-B ♭-D ♭/ Same as Double Drop D, but every string is dropped one half step.
Used by the acoustic rock band. Also used by on the song '. Double Drop C - C-G-C-F-A-C One full step down from Drop D. Used by on the song 'Seasons'. Double Drop B - B-F ♯-B-E-G ♯-B / B-G ♭-B-E-A ♭-B/ One and one half steps down from Drop D. Double Drop A ♯/Drop B ♭ - A ♯-F-A ♯-D ♯-G-A ♯ / B ♭-F-B ♭-E ♭-G-B ♭ Two full steps down from Drop D. Double Drop A - A-E-A-D-F ♯-A / A-E-A-D-G ♭-A Two and one half steps down from Drop D.
Double Drop G ♯/Drop A ♭ - G ♯-D ♯-G ♯-C ♯-F-G ♯ / A ♭-E ♭-A ♭-D ♭-F-A ♭ Three full steps down from Drop D. Double Drop G - G-D-G-C-E-G Three and one half steps down from Drop D.
Double Drop F ♯/Drop G ♭ - F ♯-C ♯-F ♯-B-D ♯-F ♯ / G ♭-D ♭-G ♭-B-E ♭-G ♭ Four full steps down from Drop D, or two full steps up from Drop D1. Double Drop F - F-C-F-A ♯-D-F / F-C-F-B ♭-D-F Four and one half steps down from Drop D, or one and a half steps up from Drop D1. Double Drop E - E-B-E-A-C ♯-E / E-B-E-A-D ♭-E Five full steps down from Drop D, or one full step up from Drop D1. Double Drop D ♯/Double Drop E ♭ - D ♯-A ♯-D ♯-G ♯-C-D ♯ / E ♭-B ♭-E ♭-A ♭-C-E ♭ Five and one half steps down from Drop D, or one half step up from Drop D1. Double Drop D1 Tuning - D-A-D-G-B-D Six full steps (one octave) down from Double Drop D. Miscellaneous.
DADGAD tuning (listen) D-A-d-g-a-d' Often vocalized as 'Dad-Gad', is common in. In rock music, has been used in 's '. Is another noted exponent of this tuning.
The group also employ this tuning, and also plays it in the form of all the notes becoming a half-step down: D ♭-A ♭-d ♭-g ♭-a ♭-d ♭'. Three down-tuned variations are used by the band: A Drop C variation, or C-G-c-f-g-c'. (used on the song '), a Drop B variation, or B'-F ♯-B-e-f ♯-b, and a Drop A# variation, or A ♯'-F-A ♯-d ♯-f-a ♯. Neighboring tunings D-A-d-e-a-e' and C-G-c-d-g-a have been used. Also D-A-d-a-a-d', was used by on the 's 1983 '.
See also: The open strings of a guitar can be tuned to microtonal intervals, however microtonal scales cannot easily be played on a conventional guitar because the frets only allow for a chromatic scale of twelve equally spaced pitches, each a semitone apart. (Certain microtonal scales, particularly, can be played on a standard guitar solely by adjusting tunings, but the distance between notes on the scale makes it somewhat impractical.) It is possible to play microtonal scales on a, to convert a fretted guitar into a fretless, or to make a custom neck with a specific microtonal fret spacing. Guitars can also be refretted to a microtonal scale. On many refretted microtonal guitars, the frets are split, so that the tuning of each string is independent from the others. To enable an adjustable microtonal tuning, there exist guitars with frets that can be moved across the fingerboard. Extended techniques such as the technique, slide guitar and techniques can be used to produce microtonality without severe modification to the instrument.
Guitar tunings inspired by other Instruments In his on-line guide to alternative tunings for six-string guitars, mentions several that are inspired by instruments other than guitars, for example, (E-A-D-E-E-A), C-G-C-G-C-G, and G-B-D-G-B-D. Extended range and other guitar tunings. This section needs additional citations for. Unsourced material may be challenged and removed.
(July 2012) Five-string Five string guitars are common in Brazil, where they are known as and are typically tuned in 5ths. Schecter Guitar Research produced a production model 5 string guitar called the Celloblaster in 1998. A five-string tuning may be necessary in a pinch when a string breaks on a standard six-string (usually the high E) and no replacement is immediately available. Some basic five-string tunings include:. Standard - E-A-d-g-b The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
High C - E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a 6 string bass guitar, minus the low B. Celloblaster or Guitello - C-G-d-a-e' An as used on or, extended to five strings. Used by the noise-rock band, and by Jeffrey McFarland-Johnson on his Bach Cello Suites album. Baritone - E-A-d-f ♯-b In this tuning, the fourth (G) string is lowered a half-step, thus recreating the intervals between the top five strings, lowered a perfect fourth.
Though chords can easily and more fully be played from this tuning, it sometimes results in awkward, a relatively minor problem if the five-string is played in an ensemble with a bass guitar. E-A-c ♯-f ♯-b Simulates the top four strings, followed by the second-from-bottom string on top, raised a whole step (the F ♯ representing both the top and bottom E). It makes playing in the key of A major easier, though chord fingerings have to be altered unless the strings are rearranged to F ♯-B-E-A-C ♯.
Open G tuning - G-d-g-b-d' Some slide/bottleneck guitarists omit the bottom E string when playing in open G to have the root note as the tonic. This tuning is used.
Open E ♭5 tuning - E ♭-B ♭-e ♭-b ♭-e ♭' This is achieved by removing the fourth (G) string, tuning both Es and the B down a half step, and the A and D strings up a half-step. This creates a five-string. Seven-string Similar to five-string bass guitar tuning, seven-string tuning allows for the extra string a fourth lower than the original sixth string. This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down. Baritone 7-string guitars are available which features a longer scale-length allowing it to be tuned to a lower range.
Standard Tuning - B'-E-A-d-g-b-e' This is the Standard seven-string tuning. Drop A 7-String Tuning - A'-E-A-d-g-b-e' This is the Standard seven-string tuning with low B dropped to A. Standard Choro Tuning - C-E-A-d-g-b-e' Standard seven-string tuning for Brazilian. Drop D 7-String Tuning - B'-D-A-d-g-b-e' Standard seven-string tuning with the low E dropped to D, which results in a minor 3rd interval between the two lowest strings of B and D. Used by Ed Sloan of. Also used by on the song 'CAFO'.
Drop D & A 7-String Tuning - A'-D-A-d-g-b-e' Standard seven-string tuning with a Dropped D and A from E and B. Used extensively by since the album ' as well as the song 'Obscure' from the album Vulgar.
Thirds Tuning - E-G ♯-c-e-g ♯-c'-e' Same range as standard six-string. Allows over two full chromatic octaves without changing position, slides or bends. All Fourths Tuning - B'-E-A-d-g-c'-f' Expands the major third between the second and third strings, extending range a half step higher. Russian Tuning - D-G-B-D-g-b-d 6-string Open G tuning with additional 5th B-string. Was a standard tuning for classic 7-string guitars in Russia in the 19th to 20th centuries.
Lower. A ♯/B ♭ tuning - A ♯'-D ♯-G ♯-c ♯-f ♯ -a ♯-d ♯' / B ♭'-E ♭-A ♭-d ♭-g ♭ -b ♭-e ♭' Half a step down from standard, used by bands such as, and in their earlier days, (now formerly of ), mid-career, on, in their album, in demo album, since ',' on album, of on the song ' (Ryan Peake used a six-string), (on War Zone and Here Comes the Pain from ), and on and all live performances of songs previously written on standard tuned seven string guitars.
A tuning - A'-D-G-c-f-a-d' A full step down from standard. Used by bands such as, (on 'False Awakening Suite' and ' from ), and (on most songs from and, 'Drones' and 'Bonescraper' from, 'Moment of Impact' from, and most songs on, and ). G ♯/A ♭ tuning - G ♯'-C ♯-F ♯-B-e-g ♯-c ♯' / A ♭'-D ♭-G ♭-B-e-a ♭-d ♭' One and one half steps down from standard. Used by bands such as (on their ) and (on the song ', but on 14-string guitars). Also used by on the song 'Show Me A Leader' (Myles uses a 6-String guitar tuned to Drop C#). G tuning - G'-C-F-A ♯-d ♯-g-c' / G'-C-F-B ♭-e ♭-g-c' Two full steps down from standard tuning. Used by Luc Lemay of.
F ♯/G ♭ tuning - F ♯'-B'-E-A-d-f ♯-b / G ♭'-B'-E-A-d-g ♭-b Two and one half steps down from standard. Used by Danish band in the albums, and. F tuning - F'-A ♯'-D ♯-G ♯-c ♯-f-a ♯ / F'-B ♭'-E ♭-A ♭-d ♭-f-b ♭ Three full steps down from standard. Used by during the recording of.
The songs are played live using 8 string guitars. E tuning - E'-A'-D-G-c-e-a Three and one half steps down from standard. D ♯/E♭ tuning - D ♯'-G ♯'-C ♯-F ♯-B-d ♯-g ♯ / E ♭'-A ♭'-D ♭-G ♭-B-e ♭-a ♭ Four full steps down from standard. D tuning - D'-G'-C-F-A ♯-d-g / D'-G'-C-F-B ♭-d-g Four and one half steps down from standard. C ♯/D ♭ tuning - C ♯'-F ♯'-B'-E-A-c ♯-f ♯ / D ♭'-G ♭'-B'-E-A-d ♭-g ♭/ Five full steps down from standard.
C tuning - C'-F'-A ♯'-D ♯-G ♯-c-f / C'-F'-B ♭'-E ♭-A ♭-c-f Five and one half steps down from standard. Octave Tuning - B'-E'-A'-D-G-B-e Six full steps (one octave) down from standard tuning.
The open C tuning for 7-string guitar was preferred tuning for the extreme metal band (GCGCGCE). Higher. High A - E-A-d-g-b-e'-a' - Standard tuning with a high 'A' instead of a low 'B'. Because of the high pitch of the 'A' string, it usually requires a to provide enough tension. C tuning - C-F-A ♯-d ♯-g-c'-f' / C-F-B ♭-e ♭-g-c'-f' Half a step up from standard, used by during his time in.
C ♯ tuning - C ♯-F ♯-B-e-a-c ♯-f ♯ The whole step up from standard. This tuning was used by with high E-string being lowered to C ♯ (C ♯-F ♯-B-e-a-c ♯-c ♯) on the first two records. Dropped These tunings have the added low 7th string tuned one full step lower allowing for chord structures similar to six-string drop tunings. Drop B - B-F ♯-B-E-A-C ♯-F ♯ / B-F ♯-B-E-G ♯-C ♯-F ♯ / B-G ♭-B-E-A-D ♭-G ♭ a tuning which combines the standard drop B tuning of a 6 string electric guitar, but with a high F ♯ for soloing. Used by bands such as and. Drop A - A-E-A-D-G-B-E A combination of standard 6 string tuning and a 7th string dropped one full step for power chords, used by bands such as, and, as well as other bands such as, (on and ), and occasionally, Eldest 11, December In Red, and A Fall To Break.
Triumphant Return guitarist Matti varies this tuning by dropping both the low B to A and low E to D and raising the high B and E a half-step to C and F (A-D-A-D-G-C-F). Drop A - alternatively, A-E-A-D-F#-B-E The same as drop A tuning for a 6-string on the low strings while retaining a high E. In effect converts a 7-string into a drop A baritone guitar, but with standard tuning's soloing capability. Drop G ♯/Drop A ♭ -G ♯-D ♯-G ♯-C ♯-F ♯-A ♯-D ♯ / A ♭-E ♭-A ♭-D ♭-G ♭-B ♭-E ♭ One half step down from standard Drop A. Used by bands such as on some songs from, on some songs from their, and albums, and. Drop G - G-D-G-C-F-A-D A full step from standard Drop A, used by such bands as, on their album, on some songs, and since their album.
Drop F ♯/Drop G ♭ - F ♯-C ♯-F ♯-B-E-G ♯-C ♯ / G ♭-D ♭-G ♭-B-E-A ♭-D ♭ One and one half steps down from standard Drop A. Used by (on their album). Drop F - F-C-F-A ♯-D ♯-G-C / F-C-F-B ♭-E ♭-G-C / Two full steps down from standard Drop A. This tuning is used on three tracks on 's album: 'The Hopeless,' 'The Abduction,' and 'The Wretched.' The bands, and 'Conan' use this tuning as well.
Triumphant Return uses a variation of this tuning (F-C-G-C-F-A-D). Drop E1 - E-B-E-A-D-F ♯-B / E-B-E-A-D-G ♭-B Two and one half steps down from standard Drop A. Drop D1 ♯/Drop E1 ♭ - D ♯-A ♯-D ♯-G ♯-C ♯-F-A ♯ / E ♭-B ♭-E ♭-A ♭-D ♭-F-B ♭ Three full steps down from standard Drop A. Drop D1 - D-A-D-G-C-E-A Three and one half steps down from standard Drop A. Used by Black Tongue.
Drop C1 ♯/Drop D1 ♭ - D ♭-A ♭-D ♭-G ♭-B-E ♭-A ♭ / C ♯-G ♯-C ♯-F ♯-B-D ♯-G ♯ Four full steps down from standard Drop A. Drop C1 - C-G-C-F-A ♯-D-G / C-G-C-F-B ♭-D-G Four and one half steps down from standard Drop A.
Drop B0 - B-F ♯-B-E-A-C ♯-F ♯ / B-G ♭-B-E-A-D ♭-G ♭ Five full steps down from standard Drop A. Six full steps (one octave) down from a baritone Drop B guitar. Drop A ♯/Drop B ♭ - A ♯-F-A ♯-D ♯-G ♯-C-F / B ♭-F-B ♭-E ♭-A ♭-C-F Five and one half steps down from standard Drop A. Drop A0 Tuning - A-E-A-D-G-B-E Six full steps (one octave) down from standard Drop A. Eight-string A continuation of the 7-string, adding another string a perfect fourth lower than the seven strings low B. The additional low F ♯ string is just a whole step up from a bass guitars low E string.
While have been building these instruments previously, mass-produced Eight-string electric guitars are a relatively recent innovation. Ibanez was first to offer a production eight-string guitar in March 2007.
Many other companies now produce mass-market eight-string models, yet these guitars remain relatively uncommon. Standard 8 String F ♯'-B'-E-A-d-g-b-e' Standard eight-string tuning. Used by on the song 'The Three-Dimensional Shadow' from the album and 'Mechanical Soul Cybernetics' from the album, on 'Ji', 'Overture', 'Extraneous', '22 Faces', 'Four Lights' and 'Stranger Things', by on 'Mechanize', 'Metallic Division', 'God Eater' and 'Soul Hacker' and by on some songs.
Lower. F tuning - F'-B ♭'-E ♭-A ♭-d ♭-g ♭-b ♭-e ♭' Half a step down from standard tuning. Used by, and by Deftones on 'Tempest' and 'Rosemary' from. E tuning - E'-A'-D-G-c-f-a-d' One full step down from standard tuning. Used by Meshuggah and on their 'Untitled' album and on songs 'Illuminati' and 'Way Too Far' from their album. E ♭ tuning- E ♭'-A ♭'-D ♭-G ♭-B-e-a ♭-d ♭' One and a half steps down from standard tuning. Used by Meshuggah on 'Nebulous' and Dissipate on their Tectonics EP.
D tuning - D'-G'-C-F-a ♯-d ♯-g-c' Two full steps down from standard tuning. A tuning - A'-D'-G'-C-F-A-d-g Three and one half steps down from standard tuning. Higher. High A tuning - B'-E-A-d-g-b-e'-a' Standard seven string tuning with a 'high a' Used. All fourths tuning - F ♯'-B'-E-A-d-g-c'-f' Regular tuning which extends range a half step higher. Dropped.
Drop E/F ♭ - E-B-E-A-D-G-B-E A combination of standard 7 string tuning and an 8th string dropped one full step. Allows to play in the range of a standard electric bass, as well as power chords. Used by and (on the songs 'Devolver' and 'Breeding Violence' from ). Also used by Deftones on and, and Emmure on the song 'N.I.A. (News in Arizona)'.
Drop E, A - E-A-E-A-D-G-B-E A combination of 7 string drop A tuning and an 8th string dropped one full step, allowing both power chords rooted on A, and easy fingering with the E a fourth below. This is the tuning of the lowest two strings of a bass, along with all 6 strings of a standard-tuned guitar. It is used by on the album. Drop E ♭/D ♯ - E ♭-B ♭-E ♭-A ♭-D ♭-G ♭-B ♭-E ♭ Half a step down from drop E tuning. Used by in the album, in the song Shed, and used by Emmure in the album in the song 'Word of Intulo'. Also used by in the song 'To Carry You Away' off of the album. Drop D - D-A-D-G-C-F-A-D One full step down from drop E.
Used by Meshuggah in the song 'Obsidian'. Drop C ♯ - C ♯-G ♯-C ♯-F ♯-B-E-G ♯-C ♯ One and a half steps down from drop E.
Used by on the songs 'Pennyweight', 'Neo Seoul' and 'A Wolf Amongst Ravens' off of their album. Drop E/Open Tuning - E-B-E-B-E-F#-B-E 3rd string half a step down.
4th & 5th strings a whole step up. Used by in and IV Nine-string A continuation of the eight string, adding a string lower or higher.
Standard - C ♯-F ♯-B-E-A-d-g-b-e'. Used by After The Burial on some songs from, by for the soundtrack, and by for Private Visions of the World. High A - F ♯-B-E-A-d-g-b-e'-a' Lower. B tuning - B-E-A-D-G-c-f-a-d One full step from standard tuning. Gives the range of a five-string electric bass as well as a six-string electric guitar. Dropped. Drop B, E - B-E-B-E-A-d-g-b-e Gives the range of a five-string electric bass as well as a seven-string electric guitar in standard tuning.
Drop B - B-F ♯-B-E-A-d-g-b-e. Double Drop A - A-D-A-D-C ♯-c-g-g ♯-e' (Or) A-D-A-D-C (16th#)-C-G-Ab-E Used. Ten-String A continuation of the nine string, adding another lower string to the standard or high A tuning. Standard - G ♯-C ♯-F ♯-B-E-A-d-g-b-e'. High A - C ♯-F ♯-B-E-A-d-g-b-e'-a'. Standard bass and standard guitar - standard E-A-D-g-b-e tuning for the top 6 strings and standard E'-A'-G-D bass tuning for the bottom 4 strings. It's set as a factory tuning for Septor 1030.
Steel Guitar. This section possibly contains. Please by the claims made and adding.
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Statements consisting only of original research should be removed. (March 2012) On and, the most common tunings are the extended-chord and, sometimes known as the Texas and Nashville tunings respectively.
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On a multiple-neck instrument, the near neck will normally be some form of C6, and the next closest neck E9. Necks with 12 or more strings can be used with universal tunings which combine the features of C6 and E9. On a 12 string pedal steel guitar, all 12 strings are tuned and played individually, not as 6 double courses as on the. On there is often only one six-string neck. C6 tuning is popular for these instruments, as are open G, E6, and. Renaissance lute.