• Juan Gabriel

Review: Ahhh, bien sur! Julien Achard and Nicholas Skliris return to Heavenly Sweetness to provide our shelves with the second chapter of the Digital Zandoli series, a wonderful dynasty of contemporary dance music from every corner of the world. Much like the first edition, which flew off our floors in absolutely no time, you'll be lucky to find this music anywhere else but righ here - these two work hard to dig out the very best of what the rest of the globe has to offer. More to the point, you'll find it even harder to find dance music as lush and tropical as this gear, a bubby assortment of dance tracks ranging from house to soul and dancehall. Review: Here's yet another rare '80s compilation with even more deep cuts than the last. Where do they find them all? Heavenly Sweetness clearly know but they ain't telling!

They are showing though, and here on Digital Zandoli they reveal 12 newly discovered disco, boogie and zouk tracks recorded about 30 years ago in the West Indies. We're clearly spoilt for choice on this record, but highlights include the synthetic sea breeze grooves of Puzzle Pulsion's 'Mwoin Ka Songe', the mellow Afro grooves of Zanman's 'Poutchi' and the abstract body music via a sandy beach vibes of OR EA's 'Biguine Inferno'. Review: Erol Alkan's 2005 Bugged Out mix was a gateway release for many, soundtracking the entrance into club land, yet also introducing these virgin ears to more esoteric strains of music via the accompanying Bugged In Selection. Some seven years on, Alkan and the evergreen club brand have revisited the concept with a second edition, and like the inaugural release, the Phantasy Sound boss's ever lasting love for the vinyl format has seen a selection of tracks make the translation to this double vinyl release. Six tracks from the Bugged Out mix appear, with the Italo disco of Amin Peck brushing shoulders with Model 500 and an Obi Blanche edit of the Ron Hardy classic 'Sensation', while the Bugged In Selection sees some psyche-folk fare from Buffalo Springfield and Space Lady among other gems. Review: Another crate-digging delight by the Amorphous Androgynous with their latest cosmic-disco compilation for Monstrous Bubble Recordings!

This stuff is for any music aficionado looking for that ultimate oddity, the sort of diverse musical selection which contains the same thread of sound across different eras and genres. In collaboration with Australia's Festival Records and RSD 2015, the AA have put together a double LP comprising the headiest sort of music around, and from Tame Impala to Air and Cybotron, this is the sort of thing you want to listen through and trough, no skips or shuffles but simply letting it play from beginning to the end.hopefully on a beautiful beach somewhere in the ether. Review: Parisian oddball house legend Ark teams up again with fellow local and Prospector head honcho Pit Spector to inaugurate Ark Records.

Juan Gabriel

A longtime in the making no doubt but worth the wait. Love Supreme LP as the title suggests is a tribute to the legendary John Coltrane and the pair have drafted a who's who of deep house and minimal to lend some hands and ears.

Highlights include The Mole's 'Molemix'; a sublime serving on reductionist bounce, Frankfurt genius Lo Soul who is as brilliant as ever on the sublime and hypnotic 'It's All In There Mix' and Ark himself with his 'Free Mix' which is as dusted down and as funked up as we all like it! Review: Icelandic classical, experimental and soundtrack composer Olafur Arnalds steps away from the loops and Broadchurch OSTs to conjure yet another sublime LNT saga. Carefully balancing between contemporary odysseys ('Jomsvikingarimur'), dense futuristic electronic weaves ('Last Remnants'), fuzzy 22nd century pop ('A Noise') sludgy cosmic funk ('Jasmine') and introspective soul ('Our Love Comes Back'), Olafur blows wave after woozy wave of soft sonic conjurations in a way that's broad, detailed and cleverly considered.

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Review: Since its release in 1997, David Lynch's neo-noir-horror, Lost Highway, has become something of a cult classic. The accompanying soundtrack album, here reissued on weighty double vinyl, is similarly revered in some circles. Put together by Nine Inch Nails' frontman Trent Reznor, composer Angelo Badalamenti, and punk-turned-producer Barry Adamson, it's a mish-mash of darkly intense songs (Bowie, Smashing Pumpkins, Lou Reed and Rammstein all contribute), and the kind of creepy, other-worldly soundscapes that have always been a feature of Lynch's work.

It's arguably the latter tracks, composed by Badalementi and Adamson, which remain creepily potent all these years on. Review: Quiz any Balearic enthusiast, and they'll likely speak of Kenneth Bager in hushed tones.

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The Danish DJ/producer is famed for the quality of his selections, a facet that makes his occasional compilations essential listening. There's naturally plenty to admire on Balearic Biscuits Volume 2, from the sped-up African insanity of Bufiman's 'Bassdrum Party', and Mehmet Aslan's fine rework of Kaprov Not Kaprov's 'Mechanical Turk' (think Arabic synth melodies and rolling grooves), to the loved-up, hands-in the air brilliance of Tabu Ley Rochereau's 'Hafi Deo', and Grooveman Spot's low-slung 'Fork Power'. Review: Basement Phil's Basement imprints proudly drop their first release in the form of a remix compilation - a rather unexpected format but nonetheless enticing! This is a 26-track monster release by Phillip Wells aka Basement Phil who put out some of the most forward-thinking hardcore and jungle back in the early 90's when all of this fuss began!

As the title implies, the compilation is a retrospective of sorts, where tracks from the golden era of UK rave are reworked and rebooted, placed next to contemporary sounds form the hardcore continuum. If you're a love rof the jungle variety then this is definitely worth a listen - essential! Review: Melbourne imprint A Colorful Storm here compile a collection of obscure indie pop gems, mainly from the Australian band the Cat's Miaow and their associated projects. Formed in 1992, the quartet was comprised of members of 'the incestuous Melbourne music scene' - vocalist Kerrie Bolton (formerly of the Beat Poets and Tra La La), guitarist Bart Cummings (from Blairmailer and Girl of the World), bassist Andrew Withycombe (also of Blairmailer, as well as the Ampersands) and drummer Cameron Smith (ex-Girl of the World). Over the years, the band issued a series of cassettes recorded on four-track with local indie label Toytown. Featured here are works by the band and their various side projects, not limited to their experimental offshoot Hydroplane, Bart & Friends and The Shapiros. Also included are tracks by now defunct Sydney outfits Even As We Speak (who recently reformed for a release on Emotional Response) and Pearly Gatecrashers.

Review: Three years on from the release of his last Private Collection compilation, British jazz survivor Kev Beadle returns with a third selection of little-known 'independent jazz' from the 1970s and '80s. As usual, it's a pleasingly varied affair with a clear dancefloor focus.

Beadle, a man with an enviable record collection, variously showcases South American jazz-funk fusion (see Banda Metalurgia's fantastic 'La Em Guayaquil' and Francisco Mara Catlett's thrillingly upbeat, 'Brazilian Love Affair' style smasher 'Samba De Amor'), Nat King Cole style smoothness (the Leon Thomas voiced 'Little Sunflower' by Louis Hayes Group), dazzlingly positive extended workouts (Clarice Lebbe and Charlie Hampton), heavy percussion jams (Finn Savery Trio) and confirmed jazz-dance classics (the soul-jazz stomp of Webster Lewis). Review: Given his impeccable downtempo credentials, you'd expect Bonobo's Late Night Tales mix to be one of the finer installments in the series (and that's saying something). Predictably, it is. Sweet, sensual and atmospheric, with plenty of unlikely gems and forgotten classics for the heads to enjoy, it surprises and impresses with each successive track. This vinyl edition features 17 of the tracks unmixed (naturally) and lifts out many highlights. His own cover of Donovan's 'Get Thy Bearings' is particularly revelatory - string drenched, hazy, atmospheric and, of course, immaculately produced - but there are many other gems. Check Darondo's classic heart breaker 'Didn't I,' the smoky reggae-soul of Nina Simone's 'Baltimore', and the enveloping intimacy of Shlohmo's 'Places'.

Do seek out Benny Cumberbatch's spoken word turn at the end too! (mp3 download code for the full release included). Review: Having found a renewed vigour with his Breach alias, Ben Westbeech has been ripping it up with his run of singles over the past few years, and now!K7 have snapped him up for the latest installment in the still-trucking DJ Kicks series that shows just how deeply rooted in house music the long-serving producer is.

With the double-pack vinyl edition packing in full versions of many of the standout tracks from the mix, you can get treated to the anthemic vocal tones of Pedestrian, the heartfelt garage tones of Cassio Kohl, the fist shaking grooves of Detroit Swindle and in something of a curveball move, the ethereal electro of Dopplereffekt. For the most part it's direct and soulful house music as you would expect from a man of Ben's pedigree. Review: The first installment of Late Night Tales' After Dark was that rarest of things: a DJ mix that retained a smoky sense of early morning, home listening atmosphere while retaining an open-minded focus on the dancefloor. This follow-up - once again compiled and mixed by Bill Brewster - offers more of the same. Musically it's pleasingly varied, moving from the string-drenched downtempo beauty of Typesun's 'Last One Home', to the heady Balearic rock of General Lee, via Justus Kohnke, the soulful post-bruk smoothness of As One, and the sprightly analogue electronics of Emperor Machine's remix of Paqua's 'Late Train'.

There's also a bunch of previously unreleased tunes to enjoy, including killer contributions from the Mang Dynasty (AKA Ray Mang), The Gino Fontaine (Chicken Lips man Andrew Meecham) and - most surprising of all - The Grid and Robert Fripp. Review: The unstoppable Get On Down label doesn't like to discriminate between genres, and through the years they've put out a wide breadth of material from hip-hop, soul and funk artists alike. What we have here is the marvellous fourth instalment of the Get On Down With James Brown series, live at the mythical Apollo, and that means a fully-loaded James Brown experience alongside other big-hitters such as The JB's, Lyn Collins and Bobby Bird. You know the score, this is the hit you need.

Review: Australian labels Butter Sessions and Noise In My Head team up to deliver a compilation of tracks from artists you may not know.yet. Recognisable artists include Lobster Theremin heavy Daze who drops in with a dirty, overblown house jam (think Delroy Edwards) while the Mic Mills duo turns up with the lo-fi, broken beat tropicana of 'Nostory'. Albrecht La'Brooy's opener is a compilation highlight while Lo Flung provides a cut which feels like a combination between Felix K and Latency. Lucy Cliche get Hi NRG with a splash of EBM and industrial on 'Other World' and there's some classic house coming at you direct from Ben Keynes. A lot to be discovered here and the aesthetic is as fresh as the names delivering it.

Review: If Music duo Jean-Claude Thompson and Adrian Magrys head up this fine six-track forage through the '70s and '80s archives of Eastern Europe. Stylistically, there doesn't seem to be an over-riding theme, it plays out more like a diverse selection of archival cuts spanning Poland, Hungary, Russia and Slovakia that will delight the more adventurous dancefloors. Thus you get infectious Polish disco grooves from Wojciech Karolak and Andrzej Korzyn?ski nestled alongside the break-laden jazz bustle of 'Song For Ewa' of the Polski Jazz Ensemble. Similar styles abound with Russian-born 'Prince Igor' Yahilevich and Hungary's Binder Quintet, whilst Alojz Bouda delivers our personal favourite in the shape of 'Random,' a suitably-titled oddball synth banger that originates from the Slovakian's 1980 album Synthesizer Sound Read more. Review: Renowned producer, remixer, DJ and record label owner Carl Craig is one of the few artists who can truly claim to have shaped the sound of modern electronic music. Making music since the tender age of 17, Craig has created everything from ambient soundscapes to jazz during the past 20 years, but it's his work in dance music that is at his core.

'Sessions' is a long overdue album that brings together a personal selection of Carl's incredible back catalogue, from his early work under the aliases Paperclip People and 69 to worldwide hits like 'Throw' (recently covered live by LCD Soundsystem) and groundbreaking tracks like 'Bug in the Bassbin'. Alongside the classics, the two discs also showcase why Craig is still such a powerful force in music today with a diverse range of remixes for the likes of XPress 2, Theo Parrish and many others. For his rework for Junior Boys'. 'Like A Child' he was just nominated for a Grammy.

The selection also includes previously unreleased tracks, alternative versions of his own productions, as well as some exclusive unreleased remixes. 'Sessions' reminds us of how exciting and unique Carl Craig's productions and remixes are and why he remains at the top of his game, a retrospective of one of the world’s most influential and groundbreaking figures in electronic music. Review: Like deep funk? Then you'd surely know of the legendary Keb Darge: the Scottish DJ who invented the term. Known as a leading authority on funk and soul music of the 1960s and beyond, he went from modest beginnings in Wigan, before moving to London in the '70s, bringing the sounds of Northern Soul to punters in the capital. Namely His 'Legendary Deep Funk' night at Soho's seminal strip club turned music venue Madame Jojo's.

Following up his last compilation put together with Paul Weller; 2009's Lost & Found (Real R'N'B & Soul) LP, Darge presents hits from the 'Deep Funk' series to celebrate BBE's 20th year. Diggers will most certainly appreciate appearances on here such as Soul Drifter's 'Funky Brother', Kenny Dope's edit of Family Of Eve's much sampled 'I Wanna Be Loved By You', Joe Washington's 'Blueberry Hill' and the classic 'Love Call' by Ramsay and Company amongst many others. Review: Sky Girl is the work of two noted (but arguably under-appreciated) crate diggers, DJ Sundae and Julien Dechery, and gathers together a veritable treasure trove of obscure material loosely connected by (in the label's own words) 'the same longing sentiment'. Its' fifteen tracks touch on a variety of hazy, down-tempo styles, and were recorded at various points between 1961 and '91. There's much to admire throughout, from the folksy psychedelic pop of The Rising Storm's 'Frozen Laughter', and spoken word eccentricity of Scott Seskind's 'I Remember', to the dreamy, eyes-closed ambience of Nini Raviolette & Hugo Weris' 'Slow' and string-laden samba-folk of Nora Guthrie's 'Home Before Dark'. Review: Berlin techno legend Marcel Dettmann is up next for!k7, compiling their latest edition of the esteemed DJ Kicks series.

The Berghain resident merges new takes on classics; such as Cybersonik's 'Technarchy' (Marcel Dettmann Third mix) and his remix of Infiniti's (aka Juan Atkins) 'Skyway' alongside Mystic Bill's classic 'U Won't C Me'. Elsewhere, he dabbles in classic electro territory from Das Kombinat on 'Waschmaschine', industrial proto-techno on Psychick Warriors Ov Gaia's 'War Chant' (Marcel Dettmann edit) and some new exclusives from MDR HQ in the form of some interesting collaborations. There's some stripped and textured dub techno featuring Levon Vincent on 'Can You See' and a jagged industrial experiment with fellow label mate Wincent Kunth on 'Possible Step'. While the mix is definitely reminiscent of one of his renowned 12 - 4 warm up sets, the vinyl edition (which comes as a bonus with this double vinyl release in gatefold cover) is a fine collection timeless techno and future classics.

Review: With the renewed attention surrounding industrial and EBM in the last few years (and its influence on techno, again), it's important that someone with credentials gives the new generation a decent history lesson. Fitting that Berghain resident and MDR boss Marcel Dettmann curates a compilation of classics from the sound's heyday: here's someone who actually lived through it. As part of Amsterdam imprint Dekmantel's Selectors Series, these gems from yesteryear should certainly set the record straight and provide solid reference points for new school retroverts. Highlights (and there's many) include: Belgian EBM legends Front 242 with 'Don't Crash', Philadelphia industrial underdogs Executive Slacks' 'So Mote It Be' and the mandatory Cabs track comes in the form of 'Low Cool' (the Marcel Dettmann Edit, no less). It wouldn't be a proper industrial comp without a bit of Wax Trax! Label staples Ministry appear with their 1982 song 'Same Old Madness', a period in the band's history that some consider their finest.

Review: Soon, DJ Harvey will release The Sound of Mercury Rising, a compilation themed around some of the music championed at his summer residency at Pikes Hotel, Ibiza. This four-track taster 12' not only acts as a sampler for the CD version, but also offers the chance to own four excellent and hard-to-find gems. You'll struggle to find a more Balearic disco cut than Danish outfit Tore's 1979 killer 'She's a Lady' - think the Bee-Gees with Flamenco guitars - while Elkin & Nelson's 'Abran Paso - Aboa (Enrole)' is a spiraling chunk of flamenco-psychedelia fusion. Elsewhere, Van McCoy & Soul City Symphony's 'Spanish Boogie' is a jaunty disco number full of crunchy Clavinet lines and rising horn lines, while Tony Esposito's 'Danza Dell'Acqua' is as eccentric and wide-eyed as they come. Review: Given his dedication to party-starting house and techno jams shot through with the warehouse-friendly sounds of the late '80s and early '90s, you'd expect this double-disc In The House mix from Unknown to the Unknown boss DJ Haus to be a riotous, energy-packed affair. It is, of course, with the experienced DJ/producer gleefully joining the dots between original rave-era fare and contemporary retro-futurist gems that pay tribute to piano house, early US garage, classic Italian house and Chicago jack. Both mixes bristle with ear-catching riffs, big builds and colossal drops, with highlights coming thick and fast.

As a result, we'd argue that DJ Haus has delivered one of the best In The House mixes to date. Review: 11 years on from DJ Koze's one and only commercial mix, 2004's All People Is My Friends for Kompakt, the Pampa boss lines the 50th DJ Kicks mix, following high profile contributions from Nina Kraviz and Actress. This vinyl edition offers the best of both worlds really, featuring some 17 highlights of Kozalla's selection in their original form spread across two slabs of vinyl whilst!K7 have also thrown in a CD copy of the mix so you can hear how it's all done Koze-style.

As you'd expect Koze presents one of the more far-reaching selections in the series, with Madlib-produced Freddie Gibbs nestling up alongside William Shatner, Boards of Canada remixes, Broadcast whilst the likes of Marcel Fengler, Session Victim and Frank & Tony offer some deepness. Review: The legend DJ Pierre digs through the vaults for a 12 track/12 artist double LP showcasing acid's true pioneers from around the world.

Acid 88 features new and original tracks from some of the style's top producers that are flying the flag today for the Roland TB 303: Luke Vibert, Tyree Cooper, Mr. C, Posthuman, K Alexi Shelby and many more. Dedicated to the memory of Phuture co-founder DJ Spank Spank and respected German acid producer Andreas Gehm: who both passed away before their time in the summer of 2016. Each of them have a track included. Black & Yellow Vinyl with DJ Pierre's acid history in the sleeve notes. Review: This debut release from footwork crew Teklife's label sees them pay tribute to DJ Rashad, the late, great innovator who passed away in the spring of 2014. Afterlife gathers together a collection of DJ Rashad tracks co-produced by Rashad's close friends and associates, including DJ Spinn, Traxman, DJ Manny and more.

As the label themselves state, this 14 track album really conveys the wealth of musical influences and knowledge Rashad possessed with soul, hip-hop, house, techno and many more all brought together at 160 BPM. 'Afterlife is our tribute to our friend and our inspiration. Rest In Peace DJ Rashad,' Teklife write. A must for all fans of Rashad. Review: Sony BMG is, as one would expect, a pretty reliable source of all things music-related.

This becomes especially true if we're talking edits, seeing as there is just so much of the stuff coming out at all times. The empirical label have recruited the fast-growing DJ Reverend P, one of those producers who manages to find little nuggets of greatness in every track he touches. There's plenty of party-ready hits being given a makeover here; The Jacksons' 'That's What You Get (For Being Polite)' is tuned up for the dance floor, 'Rockin' After Midnight' by Marvin Gaye is made even sexier, but the special moment lies in 'Love Is Always On Your Mind' by Gladys Knight & The Pips. Big up, Reverend P.

Hot soul edits comin' at ya! Review: Selector, percussionist, producer and all-round legend Snowboy represents his weekly Madame JoJo's showcase in album form. Digging deep across two 12's, Snowboy treats us to 23 undiluted funk and soul cuts. From well-known (James Brown's 'Bring It Up' and Etta James' 'Can't Shake It') to lesser-known (The Shirelles' 'Boys', Dorothy Berry's 'I Say You're Driving Me Crazy'), the whole curation rolls with emphatic consistency and attention to detail. With gems hidden around every corner, even the most ardent of collectors will find many things to love right here. Review: BBE release this 14-track double LP containing some of Perception and Today Records' best tracks from the 60s and 70s. There are highlights aplenty: The Eight Minutes' 'I Can't Get No Higher' opens proceedings with a soulful, mournful and infectious blend of Motown aesthetics, with the rough, raw production value and loose funk capturing exactly what Perception was all about.

Elsewhere, The Fatback Band's 'Njia (Njia) Walk' is characterised by a driving beat and climbing bass line, creating the illusion of disco trapped inside the mind of funk. Madhouse's 'Get Some Of This' features some fantastic drum work, going at once from a sparse break to a rattling, break-neck cacophony of percussion. In a word, essential. Review: Looking back over 20 years in the game, Spinna handpicks some of his favourite re-rubs and reversions for The Sound Beyond The Stars, a retrospective issued through the trusted hands of BBE. The full album contains 18.

Four of which can be found on this stunning gatefold double 12'. From the psychedelic spirals and soulful yearns of 'Without Your Love' to the overwhelming warmth, depth and length of the 13 minute long synth-focussed take on Animal House's 'Dirty Mind', Spinna's signature is deeply scribed into each reversion with serious soul sentiment. Review: For the latest volume in Tresor's occasional Kern compilation series, the long standing German imprint has turned to balaclava-sporting Detroit legend DJ Stingray. The Drexciya associate has gathered together a typically forthright selection of techno and electro jams, presented here in unmixed form for pure DJ pleasure.

Given that all the material is high quality, picking highlights is tough. Our favourites include the deep space electro brilliance of 'Musik Politik' by Syncom Data, the trippy, acid-fired madness of vintage Aphex Twin wriggler 'Serge Fenix Rendered 2', the throbbing sub-bass and crusty drum machine hits of Herva's 'Slam The Laptop' and the bustling techno madness of Dynarec's intergalactic workout 'Moving Corridors'. Review: The long running Late Night Tales series has retained a certain prominence despite the increasing flood of online mixes and podcasts thanks to the concept that's remained its selling point; namely ask a high profile musician, act or band to compile a selection of music to soundtrack the post club twilight hours. Everyone from Four Tet to Bonobo and Trentemoller have featured previously and now it's the turn of London indie troupe Django Django. Overseen by the band's Dave Mclean, this twenty one track selection demonstrates he's got a fine ear for music with cuts from Bob James, Primal Scream, Roy Davis Jnr and Massive Attack sequenced perfectly.

The requisite cover version sees Django Django taking on The Monkees whilst Benjamin Cumberbatch is called on to do the closing spoken word honours. Review: Whatever criticisms can be levelled at The Flaming Lips, one could never accuse them of lacking balls. Few bands would attempt a full-length remake of Sgt. Pepper's Lonely Heart Club Band, and fewer still would do so by throwing as much gloriously nightmarish psychedelic experimentation as they can muster at these much-loved songs, and then by getting Miley Cyrus in for a guest appearance. Yet the fact that Wayne Coyne and his henchmen have done just that is testimony to the beauty of his longstanding freakshow, and the fact that this irreverent, haphazard and mercurial piece of work manages to be a treat in its own right all the more so.

A kaleidoscopic triumph against considerable odds. Review: The Grasso is greener in Bologna: home to two of the most well-connected collectors in Italy. Suppliers to the likes of Kenny Dope, Phil Asher and Dimitri, Gino and Federico have carved their crate craft to insane levels over the last 30+ years. As shown on this detailed, widescreen boogie, funk and disco collection for BBC. Splattering the vibrant collection with a handful of their own edits (TB Funk's salubrious struts on 'Free Blow', fly-by boogie falsettos on Living Color's 'Plastic People'), the Grasso bro's have put together a package that's eye-opening, enlightening and damn fine to party to. See you on the other side.